European film funding · A register kept by people
Win funding,
not just find it
Every fund, open call and pitching forum that fits your film, verified by a person, matched to your project, and kept in one place with the letters you write to win them.
Free. No account, no card.
What actually happens
The money is not the mystery
Funding for European film is real and it is everywhere: national institutes, regional funds, pitching forums, each with its own calendar, its own language and its own unwritten taste.
Somewhere in that maze there is money for your film. You found a call, matched the criteria, wrote the application the way applications are supposed to sound, and sent it to three readers you will never meet.
What came back was a decision, not a conversation. And next session the readers change, the fund taste shifts, and you start again knowing exactly as much as before.
The filmmakers who get funded did one thing differently.
They understood the jury.
How it works
Three steps to the dot
A small red dot means one thing in the register: your film found its money.
Tell us about your film
One line is enough to open your entry in the register.
Receive what fits
We send you opportunities that suit your film; checked, dated and in order.
Write the letter that wins
We help you position your film in your own voice, with every word yours to approve.
What the register knows
The insights nobody publishes
Real fund, real published decisions · Register extract of {AS_AT}
Go deeper
The register
The register holds every funding call publicly available.
What follows is what no single fund's page can show you:
the shape of the money.
The dot goes up
In every gallery, a small red dot on the label means the work has found its money. Our register keeps the same custom: when a film is funded, its label gets the dot, and its director goes to make the film.
No. 001
Mirrors and Shadows
Why Dear Theo
Vincent van Gogh wrote to his brother for eighteen years, and nearly every letter ended the same way: asking for help, for canvas, and for faith.
Theo, an art dealer in Paris, read each of them. He answered with money, with materials, and with patience. And Vincent, who could paint anything, still had to write for it. He got better at the letters. The letters are how the paintings got made.
Dear Theo is that reader's side of the table, offered to filmmakers. You write the letter. We keep the record. And when a work finds its money, a gallery marks the label with a small red dot.
Join the register
This is the waitlist. Leave an email to hear when we go live. Or answer a few questions about your film, and receive five funding opportunities matched to it, found and checked by a person.
We'll write when we go live, and about getting your film matched.